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Download e-book for iPad: About to Die: How News Images Move the Public by Barbie Zelizer

By Barbie Zelizer

ISBN-10: 0199752141

ISBN-13: 9780199752140

Because of its skill to freeze a second in time, the photograph is a uniquely strong gadget for ordering and knowing the area. but if a picture depicts complicated, ambiguous, or debatable events--terrorist assaults, wars, political assassinations--its skill to steer belief can turn out deeply unsettling. Are we actually seeing the area "as it is" or is the picture a fabrication or projection? How do a photo's content material and shape form a viewer's impressions? What do such photos give a contribution to ancient reminiscence? 'About to Die' specializes in one emotionally charged type of reports photograph--depictions of people who're dealing with drawing close death--as a prism for addressing such important questions. monitoring occasions as wide-ranging because the 1906 San Francisco Earthquake, the Holocaust, the Vietnam warfare, and 11th of September, Barbie Zelizer demonstrates that modes of journalistic depiction and the ability of the picture are huge cultural forces which are nonetheless faraway from understood. via a survey of a century of photojournalism, together with shut research of over sixty pictures, 'About to Die' offers a framework and vocabulary for knowing the inside track imagery that so profoundly shapes our view of the realm.

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From Publishers Weekly
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Extra resources for About to Die: How News Images Move the Public

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Thinking he was about to photograph a routine rescue, Forman readied his camera, but as the fireman stabilized his ladder, the fire escape gave way. 7: hung onto the fire escape and then Stanley Forman/AP, “From Marlborough Street,” Boston Herald American, July 22, 1975. tumbled to the ground five stories 42 • About to Die below. “I was shooting pictures as they were falling—then I turned away . . ”27 The Boston Herald American ran the photo of the two in mid-air, titled “From Marlborough Street,” as a fullpage image, five columns wide, on its front page.

Soldier being dragged through the streets of Mogadishu, the assumption was that officials changed policy due to the uproar it generated. Regardless of the assumption’s accuracy, the images’ impact was widely invoked as an impetus for withdrawing troops from Somalia. In the beginning of the war in Iraq, the Bush administration pushed the “as if ” over the “as is,” when it banned the display of coffins of the military dead on the basis that showing the coffins was insensitive to the dead soldiers’ families.

Chapters 3 through 5 address the different motifs that signal the trope’s display. Chapter 6 charts the ways in which these motifs surface in unsettled events stretching across time and space. Chapter 7 tracks the about-to-die image in the so-called war on terror. S. journalism and its public. Taken together, these chapters consider the question of how the “as if ” of news images helps to move the public in its response to unsettled events. Journalism, Memory, and the Voice of the Visual • 27 Through the trope of the about-to-die moment, this book considers how visual subjunctivity has shaped the treatment and response to a slew of unsettled public events over a century and a half of news images, and it targets the strengths and problems this raises.

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About to Die: How News Images Move the Public by Barbie Zelizer


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